Bass Guitar

The versatility of the Electric Bass has been drawn the attention of musicians and jazz "buffs" throughout the world. While not a lick book itself, this book will teach you the skills necessary to master many contemporary bass lines and patterns. An ideal supplement to any bass method. This well-written text contains solos, etudes, and various studies in a number of positions. In addition, it integrates position playing with riffs, phrases, and chords. It is a valuable course of study that familiarizes the student with key relationships up the neck.

This is a very valuable study and reference book for the bass player. Four different scale and chordal arpeggio forms are shown for each major, minor, and dominant seventh chord. In each key the basic I-IV-V7 chord progression is shown in four different locations on the bass fingerboard. Also included are whole tone and chromatic scales. Finally, numerous movable chordal arpeggio forms are presented on 12 types of chords.

A master catalog of major, minor, pentatonic, and blues scales in the keys of C, D, E, F, G, A and B. In addition, the Mixolydian, Dorian, Phrygian, and Locrian modes are presented in each key. A fingerboard diagram appears at the top of each page. The scale or mode is shown in numerous positions on the fingerboard, and a riff is shown in notation and tablature utilizing each scale or mode. This comprehensive text also includes charts showing the history of scales and modes, formulas, practice tips, key charts, circle of fifths, and much more.

This collection of jazz etudes with accompanying CDs gives students a fun and effective way to learn to play jazz style blues lines. The CD tracks provide a professional rhythm section (piano, bass, drums) to play along with, plus recordings of professional jazz musicians playing each etude. The recordings help to provide a model for the student's stylistic development, and an opportunity to play with a great band! Each of the 12 etudes provides a new challenge to master.

Many of the devices and techniques used by "Cannonball" Adderley are covered in this text. In addition to the theory chapters, many melodic lines and phrases in the style of "Cannonball" Adderley are presented. All the lines have been transposed into one key and grouped by the harmonic background they can be played against. The accompanying play-along CD enables the students to first practice the material in one key, and then master each line in all twelve keys, working around the circle of fourths.
Also available in Japanese from ATN, Inc.

Charlie Parker was arguably one of the most influential jazz musicians to have ever lived. This text presents numerous jazz lines in Charlie's style, grouped by their application in a given harmonic content. Students will learn to connect lines to play over ii-V-I progressions, turnarounds and other harmonic frameworks. To facilitate proficiency in all twelve keys, each section of the book has a chordal play-along that modulates around the circle of fourths. Some of the techniques used in the Charlie Parker style will also be discussed with examples provided. This will help musicians analyze each of the ideas presented, further ensuring their mastery.

Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along CD. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford’s style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language.

Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane.
Also available in Japanese from ATN, Inc.

This book was designed to demonstrate the many different styles music available for bassists to play, and to give the student ideas as to what to play in different situations. There are many other method books available for bass that teach all sorts of styles and techniques. This book shows you how, when, and where to use all the wonderful information found in those books. It will help you get a better understanding of most of the contemporary styles that will get you started on your journey as a working and playing bassist. The styles covered are Blues, Rock and Roll, Country, Funk, Latin, Jazz, and Rhythm & Blues. Examples are in notation only for four-string bass. The CD includes most of the examples from the book.

Blues music is a sturdy, adaptable music that reflects many shades of emotions and lends itself to numerous stylistic interpretations. This 5 1/2" by 8" QWIKGUIDE is designed to help the bassist become more versatile. Each blues bass pattern in this book is played over four bars of C7. By practicing all 50 licks over the same chord progression, students can learn the basic concept of improvisation: how to play a variety of musical phrases over the same chord or chord changes. Each example is written in both notation and tablature exactly as it is recorded. The accompanying CD, featuring Larry McCabe's Heat-Seeking Missile Blues Band is recorded in stereo with drums and rhythm guitar in the center, bass guitar on the left, and lead guitar on the right. The licks are recorded at a moderate tempo for ease of learning. The rhythm guitar parts heard on the CD are taught in Mel Bay's 101 Bad to the Bone Blues Guitar Rhythm Patterns. The lead guitar parts are taught in Mel Bay's Famous Blues Guitar Lines.
Also available in Japanese from ATN, Inc.

This 5 1/2" by 8" QWIKGUIDE shows bassists how to play along with popular jazz chord progressions. The examples demonstrate how to use triads, arpeggios, scales, and passing tones in swing, be-bop, bossa nova, and ballad styles. The sample bass lines are all written in tablature for the 4-string bass, making it easy to learn fingerings and positions. The included CD presents each example twice, once as bass solo with accompaniment (piano and drums) and then as accompaniment only.

There is no doubt that rock music's biggest influence is the blues. Most of rock music's most famous chord progressions are almost identical to famous blues progressions. The bass and drum parts may be a bit different in rock, but the progressions are almost identical. Almost every chord progression in this book can be found in any era of rock and blues. Under the chords sample bass lines are included. This book covers almost every style of rock and blues. The accompanying CD contains recordings of all the examples, first with bass and drums, then without bass

A hands-on guide to bass guitar repair. With photographs, diagrams, and sketches made by the author, John LeVan and some provided by manufacturers. It even includes a forward written by Bob Taylor of Taylor Guitars. Learn how to: •Clean & condition a guitar.• The restringing techniques of the professionals. • Adjust the neck. •Adjust the bridge saddle. •Adjust the string nut. • Adjust the pickups. • Adjust the intonation. • Carve string nuts. •Miscellaneous upgrades and repairs. This book is perfect to teach a beginner or a reference for the guitar repair professional

First Lessons Bass is intended to introduce beginning students to the fundamental concepts of playing the electric bass. The material covered in this book is approximately the material covered in the first 8 lessons of private bass instruction. This book makes use of the "3-finger" left hand position commonly found in double bass technique. The emphasis on left hand technique allows the student to develop a consistent fingering approach to the fingerboard, reduces unnecessary strain on the left hand, and makes the bass more accessible to younger students or students with small hands. After the left hand technique has been established, the book introduces the student to important elements of bass line construction including blues patterns, the root-fifth relationship, and common rhythmic patterns.

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First Lessons Bass is intended to introduce beginning students to the fundamental concepts of playing the electric bass. The material covered in this book is approximately the material covered in the first 8 lessons of private bass instruction. This book makes use of the "3-finger" left hand position commonly found in double bass technique. The emphasis on left hand technique allows the student to develop a consistent fingering approach to the fingerboard, reduces unnecessary strain on the left hand, and makes the bass more accessible to younger students or students with small hands. After the left hand technique has been established, the book introduces the student to important elements of bass line construction including blues patterns, the root-fifth relationship, and common rhythmic patterns.

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This chord chart created for the 5-string bass shows major, minor, 7th, 6th, augmented, diminished, and many other chords. A fretboard chart showing the notes on each string is also included.

A collection of 30 bass lines in a wide spectrum of musical styles written for guitar and bass. Works well as a supplement to any beginners method and is useful for guitar teachers instructing bass players. Notation only.

Everything is covered here – starting with all the basics like octaves, hammer-ons and pull-offs. It then builds into the most advanced slap techniques including double and triple pops, flamenco thumb technique, and plucks. There are lessons in upright bass slap, as well as modal harmony studies. The grooves cover a wide range of styles that include jazz fusion, walking lines, fingerstyle conversion, pop/dance, funk/soul, bluegrass, Dixieland, etc. These lessons have something for almost any student; written in bass clef and tablature with CD.

While many electric bassists study the Bach cello suites at some point, fewer attempt the sonatas and partitas for un- accompanied violin (BWV 1001-1006). Composed around 1720, the sonatas and partitas display rich polyphonic writing, unlike the simpler monophonic cello suites. This collection features a challenging but rewarding transcription of the complete A minor Violin Sonata (BWV 1002), which fits particularly well on the bass. Also included are the well-known gavotte en rondeau from the E major violin partita (BWV1006) and the complete A minor partita for solo flute (BWV 1013), transposed here to D minor. Finally, an arrangement of the familiar chorale Jesu, Joy of Man's Desiring (from BWV 147) takes advantage of the bass's natural and artificial harmonics. Performance notes are included. Written in notation and tablature for the 4-string electric bass.

Respected bass luthier Stuart Spector has been handcrafting instruments for over twenty years. From his start in a communal workshop in Brooklyn, New York to his ground-breaking NS Bass, designed by New Steinberger, to the exacting, hand-built approach employed today, Spector basses have achieved and maintained a high level of quality and tone unparalleled in the bass market. The combination of the highest quality parts and craftsmanship, original designs, and time-tested reliability have kept the Spector name at the forefront of the industry.

This DVD includes a 30 minute workshop tour of Spector Guitars and performance and interview with guitar player Jimmy Eppard from The Band and bass player Doug Wimbish who has played with George Clinton, Mos Def, Madonna and Depech Mode. Also included is a 60 minute interview with Stuart Spector on the history of Spector Guitars.